The film recalls the family's forgotten and scattered past through a love story that combined religions, nations, ideologies and wars while contemplating the destiny that awaited such a love story.

Haykal feels that his role is more significant than ever: he must remain in his land and sustain his own project.

Accompanied by her father, who took part in the reconstruction of Beirut in 1992, Srage wanders through Dalieh, a small city-center port where the last families of fishermen are soon to be evicted as the district is privatized.

'Lego House' tells the life story of an Iraqi artist through his artworks and how the wars in his homeland and Syria took its toll on his profession, as well as his personal life.

By observing life in a quasi-ghost village, the film reflects upon collective and individual memory, in a country whose inhabitants seem unwilling to learn from their past, even while on the brink of a new civil war.

A group of Palestinian activists starts a collective dairy farm with 18 head of cattle. Once their “Intifada milk” gains popularity, the Israeli army orders the farm’s closure, declaring the cows a threat to national security.

As a result of being jailed in the Shin Bet’s Al- Moskobiya investigation center at the age of 18, director Raed Andoni has fragments of memories he cannot determine as real or imagined. In order to confront the ghosts that haunt him, he decides to try to rebuild that mysterious place.

Twelve Palestinian women talk of their life before the Diaspora, of their memories and their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery.

The first Intifada, 1987: Palestinian leaders urge communities to develop alternatives to Israeli products.

The film is inspired by a true story and shot in a real prison with lead actresses Maisa Abdel Hadi and Nadera Omran. It won over 24 international awards and represented Palestine at the Golden Globes and Jordan at the Academy Awards for Best Foreign Film in 2017.

Monica Maurer and Emily Jacir have restored the rushes and the Arabic copy of “Tall El Zaatar”, which was destroyed, lost and stolen during the 1982 invasion.

REFLECTIONS (17min) By Sarah Zeryab
Sarah discovers that the war has reversed the roles: the adults have become children who devour memories of the past. She, meanwhile, asks herself, ‘What do my parents look like now?’

HAMULE (50 min) By Mauricio Misle
Hamule reflects the trauma inherited by several generations of Palestinian descendants in Chile.

All protagonists are removed from the original footage, leaving an empty setting formed by the town.