This highly personal and original film is an attempt by the filmmaker to come to terms with her experience of war and current events in Lebanon.

This film is the compelling journey of iconic Lebanese filmmaker Georges Nasser who tells his own story of unprecedented success, struggles and disappointments.

Conversation with Ahmad Kaabour, followed by the signing of his new album 'Lamma Tghibi'.

'Beirut, Never Again' and “For a Few Lives” are part of the Jocelyne Saab Month at Dar El-Nimer, organised in collaboration with MACAM and curated by Mathilde Rouxel.

Lebanese graffiti artists reproduce their European and American models' heritage and adapt it to their contemporary issues by stepping aside from the established image of street art.

The encyclopedia consists of 11 volumes and was based on the writings of Arab historians and geographers, and on a number of Arab or foreign historical books.

This film recounts the origins of the Lebanese conflict and the perception of a society which sings while going off to the war.

Haven for artists in collaboration with Dar El-Nimer for Arts & Culture present a screening of films and encounter with Jan Beddegenoodts.

Surrounded by ruins in Syria’s capital Damascus, Ayham Ahmad sings accompanied by an out-of-tune piano about migration, hunger, and death.

This documentary chronicles the daily life in the Palestinian village Nabi Saleh and its opposing Israeli settlement Halamish.

The tense details of the relationship between Shadi and his father come to a head challenging their fragile and very different lives.

“Our Vast Dreams” is a site specific performance as a result of the SIBA Program 2018, by Minwal Theatre Company.

The daily travails of Palestinians of all backgrounds as they seek routes through, under, around, and over a bewildering matrix of barriers.

Returning to his native city just months before the new millennium, filmmaker Hany Abu-Assad captures the daily, idiosyncratic beats of Nazareth.

through their interviews the participants question the current stereotypes imposed upon them, while reflecting upon the gendered roles in the (post)revolutionary process.

The journey of the most prominent composer of his era and the most successful.

The film sheds light on Ryuichi Hirokawa’s arrival to the Dalia kibbutz in the Galilee Heights and the outbreak of the 1967 War months after his arrival.

The folk tale also forms an important part of the oral heritage of societies and peoples.

The film is based on the real-life experience of Roger Auque who was abducted in Beirut on the 13th of January 1987 and then released by the ‘Organization for Revolutionary Justice’ on the 27th of November 1987.

‘Future of Museums in Lebanon and the Middle East’, a talk featuring Iain Robertson and Roxane Zand from Sotheby's.